Golden Harvest Studios Then & Now
Following on from this post a couple of years back when it seems as though the makers of Enter the Dragon inadvertently captured a corner of Golden Harvest’s main studio building on camera, I’ve finally managed to grab an aerial photo – snapped in October of 1973 from a height of 1700′ – showing the studios site. I thought it would be interesting to compare to a modern day Google view to see how the area has been redeveloped since the studio was closed.
It’s always good to see HK aerial photos – given the speed the place can change and the regularity with which the Govt now conducts aerial surveys they seem to a be a great way of looking back in time even if the angle isn’t necessarily the most helpful. When it comes to looking at a large site (instead of just one building) they are useful as long as you know what you are looking at.
This shot was taken in October 1973 just after the studio found success with Enter the Dragon. Bruce had already died by this time but it’s a snapshot close enough to the time of filming that we can see if there is anything on film that can be recognised – however, I’ll leave that for a later post.
The studio lot is the triangular shaped area in the top right hand side. I’ve oriented the photo north south because it makes it easier to look at but actually the studio lot sat on a east/west plane so in fact the top of this photo points towards the east (i.e. if you want to see the plot’s true orientation – tilt your head to the left).
The plot was demarcated by hills to the top and right (east and south) and a stream to the left (north) and the point where the stream meets the road is where the studio’s front gateway was.
The large road at the bottom is Hammer Hill Road, with the smaller King Tung Street leading from Hammer Hill Rd up to the studio gates.Here’s another version of the picture showing you these points (click for a better view).
Okay, that’s the general area outlined, what about a closer look at the actual studio lot. Well, here it is.
After looking at it I am beginning to think this may be the exact same picture used by both Steve Kerridge and John Little in their recent Lee-related media (the Chronicles of the Dragon ebook and In Pursuit of the Dragon documentary, respectively). Anyhow, my knowledge of the studio is limited but I think most people will have guessed that the large rectangular block in the middle is the main studio block – the old ‘saw mill’.
Inside this large block were two sound stages: A & B (A on the right side, B on the left – as mentioned at the top of this post, B was the side of the building inadvertently caught by the camera man whilst filming the Angela Mao scenes in Enter the Dragon) where ALL of Golden Harvests productions were filmed (when a studio set was needed). One of the studios had distinctive column in the middle of it which set designers always had to somehow incorporate into the production.
There was a smaller studio as well (studio C?) and believe this occupied the roof space above A&B – you can see that the roof does actually have a window in it, so this is probably where it was.
In front of the main studio block are the small triangular double-ended steps that lead down into the main car lot. Actually it looks as though there were two car lots – a lower and upper one. If you zoom in you will see two sets of triangular steps. The lower portion is where Lee had some promo shots of him and his car taken for Way of the Dragon. Here is an example.
I will guess that the other buildings consisted of places such as the dubbing studio, film development lab, editing suites, costume dept and the like but actually – having never visited the studios – I can’t tell you which is which.
So anyway, what happened?
Well, remember that Raymond Chow left Shaw Bros over a dispute whereby he was passed over for promotion by his rival – ex-singer and Sir Run Run Shaw love interest, Mona Fong. Mona went on to marry Sir Run Run and to co-helm the TV part of the empire, but the fact is that Raymond under bitter circumstances and I doubt whether that kind of stuff ever gets forgotten (which also means that Raymond must have been severely pissed off when he saw this photo).
Golden Harvest actually pretty much beat Shaw’s hands down at the movie business simply because it gave the film makers greater creative freedom, more pay and ultimately more control over the released product. This may have been one of the reasons that Shaw’s eventually bowed out of film production and concentrated on TV (however, I’m speculating) but the former rivalry didn’t end there.
At the end of the 1990′s the Govt – from whom GH was leasing the studio site – decided to include it in a land sale for redevelopment and told GH it would no longer be renewing the lease. This left GH without any studio space and an alternative site search was commenced. It just so happens that at the same time Shaw’s were also after a new site and a bidding war broke out between the two companies for a spot on newly reclaimed land in Junk Bay (nr Tseung Kwan O). It was a war that was eventually won by Shaw’s and the rest, as they say, is history.
With no alternative studio site lined up, Chow and GH was ultimately defeated by his old foe, film production was wound up and the company concentrated on distribution and cinema management. It was truly one of the nails in the coffin of the film industry and quite honestly the HK film industry died a death soon after.
The old lot at Hammer Hill was actually redeveloped into a Govt subsidised housing estate called Kingsford Terrace – completed and on sale by 2003 – and as you are about to see, it looks as though construction work started circa 2000. Here are some Googleearth snaps over the past few years.
The highrises along King Tung St had actually been built several years before (around 1984) and are called Sun Lai Garden. So even before the lot was eventually developed, GH was slowly being surrounded by highrises. The above shot shows what looks to be initial site formation but it looks as though the site boundaries haven’t changed even if the buildings inside have.
It looks as though the old stream was filled in (or more likely directed underground) and some semblance of a perimeter wall was being constructed. But you can still see vaguely the shape of where the parking lot was. Film history slowly being removed. here is a shot the following year.
The following year you can see that the construction of block 5 at the back is already underway and block 4 next to it has also commenced. There would be 5 blocks in all actually and King Tung St would be extended slightly up the side where the old stream used to be. There is no aerial snaps on Google between the years 2001 and 2008, so the next shot we have is from the latter years when the development was already completed and sold.
The fact that King Tung St and Hammer Hill Rd remain unchanged in the main (apart from the extension of King Tung Street I just mentioned) gives you a good reference from comparing the 1973 close up and the 2008 snap. I’ve put in the block numbers below.
You can just about see that Block 1 now stands where the old entrance to GH was. Block 2 pretty much occupies the space where the car lot and main studio building was.
Interestingly, GH used to hold quite a few open days and I do know of a couple of total nutters who came to HK specifically to join the tours in the latter stages of the studio’s life. Thankfully, their nutterdom meant that lots of film and photos were snapped of the old site but I’m not sure when or if any of it will become available.








January 27, 2013 at 1:04 pm
Going to Hong Kong in August is there any sites I can visit pertaining to GH ir Bruce Lee house. And where did lee live??
January 27, 2013 at 4:44 pm
Hi Ron
Nothing of GH remains as you can see on this post. For Bruce Lee related stuff I suggest you start here:
http://orientalsweetlips.wordpress.com/2009/09/07/bruce-lees-hong-kong/
But I have a whole bunch of Lee-related stuff that you can access via my Bruce Lee category:
http://orientalsweetlips.wordpress.com/category/bruce-lee/
Cheers
Phil
August 20, 2012 at 2:17 am
How about some Jackie Chan film locations?
Where was the shanty town from ‘Police Story’ filmed?
August 20, 2012 at 8:17 am
for an excellent summary of Police Story locations (and many others) then check out Dan Thomas’s blog: http://hongkongonfilm.blogspot.hk/search/label/Police%20Story
If you missed my The Protector location list you can see it here:
http://orientalsweetlips.wordpress.com/2010/12/13/jackie-chans-the-protector-hk-filming-locations/
and you can also have a look at my other blog for film locations involving Miracles:
http://hongkongandmacaufilmstuff.blogspot.hk/search/label/Miracles
JC has so many film related locations in HK doing a comprehensive list would take up all my time.
July 26, 2012 at 1:27 am
Brilliant work as usual Phil. Was checking out google earth myself the other week to see how both the Golden Harvest and Shaw Brothers studios have changed over the years. Looking forward to a Shaw Brothers studios then and now from you in the near future
. Can some of these total nutters I mean ‘Super Fans’ ha ha please post some pics or video from their visits to the studios…They will have my gratitude.
July 26, 2012 at 10:06 am
Hi AP. Many thanks. I’m currently consolidating a load of GH related pics and hope to do some sort of montage of studio locations…but before then a GOD post from Sai Lung. I don’t think the nutters will relinquish their hard earned GH footage anytime soon.:-)
Cheers Phil
July 27, 2012 at 12:32 am
Hi Phil, Can we pin point exactly where Angela Mao was chased by Bob & chums on the aerial photo? Can see a bridge on the top left. Wonder if that was used in the first shot of Angela. Any idea what was the last film / scene to be shot at the studios before they where closed? I’m sure you’ve seen them but if you type golden harvest studios into YouTube. The behind the scenes of The Protector shows Jackie teaching a Japanese reporter some kung fu next to those infamous car park steps. And Kurata Yasuaki Goes to Hong Kong in 1997 shows the great man at the GH & SB studios. I’ve never got it with these super fans aka total nutters. How much do they think their footage / pics are worth? Stick you stuff on YouTube and lets see how many hits you get. Be lucky if they get a few thousand. But I guess we would love to see it..so come on Super fans make our day ha ha. Will look forward to your GOD post
You have my gratitude,
AP
July 27, 2012 at 9:47 am
Hi AP. The Mao stuff – I believe I have identified several places seen on film. I’ve seen the JC doc (and a couple of others) but hard for me to take grabs from. The person I know with the footage from several trips is one of the nicest people I’ve had the fortune to meet and has his own reasons for keeping the stuff to himself. As for the last film? I have no idea which film was the last made there – sounds like a job for Bey Logan…
June 30, 2012 at 9:17 pm
What a shame. I went to these studios by accident in the 1990s — a random bus I jumped on took me there — but I paid little attention and didn’t take any photos.
June 30, 2012 at 10:33 pm
A great shame indeed. I think if the place had been around just a few years longer then it would have just nudged into the era of modern digital photography and FLICKR etc would be filled with thousands of snaps of the place.
June 28, 2012 at 2:53 pm
I didn’t see the last post until now!
I agree, it’s shocking! Evidently Chow didn’t care about anything unless it made him money. There are skeletons in his closet and I’m guessing a few ghosts too.
June 28, 2012 at 5:58 pm
It was just a sign of the times. It’s only recently that the new generation of HK’ers have grown up and feel a great attachment to HK. In the past everyone was pretty much an economic migrant and were here to make money before heading back ‘home’ and therefore didn’t care what happened as long as they could make money. So many things of huge cultural and historical value have been lost without so much as a single complaint – GH studios (and the film industry in general) is just at the bottom of a very long list.
June 28, 2012 at 2:45 pm
Hi Phil,
This post on GH is truly one for the ages. Excellent!
I’ve seen very few photos of GH while they were in business? And would enjoy hearing from folks who had the good fortune to have visited while it was still standing.
And for those of us who live in Hong Kong.. it’s a sad reminder that political influence and greed rule over common sense and cultural heritage.
Hey.. July 20th is approaching, let’s make plans?
June 28, 2012 at 5:50 pm
Hi Tim – it really is one of my big regrets that I never made the effort to visit, even though I had several trips here between ’95 and ’98. What I would like to do is a photo montage linking various on-site snaps with the B&W closeup above. I think this would make a good and useful post, but it will take some planning.
I think my plans for 20th this year have gone awry and I’m not sure I will be in HK on that day. Need to check and will message you. Phil
June 23, 2012 at 1:23 am
I visited the GH studios on 24th July 1998 when Jackie Chan was shooting part of the fight scene for RUSH HOUR that was set in the LA Convention centre, with the bomb vest and the large vase.. it was an amazing place! such a shame they knocked it down and built flats instead!
June 23, 2012 at 9:17 am
Hi Mark – thanks for the comment. Wow, you have a good memory for dates. It’s an immense shame but there is little room for nostalgia in HK when it comes to making money. In a similar way I notice that redevelopment has started on part of the old Shaw’s backlot in Clearwater Bay – the sun has truly set on what was a great film industry. Cheers, Phil
June 23, 2012 at 5:26 pm
Hi again Phil –
I very much take your point on the old studios being a great loss.
One of the consolations though I take is that a lot of great Hong Kong movies were shot entirely on location. And all those locations are what helps make Hong Kong a movie Mecca for me.
What’s important to me is that Hong Kong filmmakers keep on making movies — and very preferably in Hong Kong itself.
June 23, 2012 at 9:08 pm
Agreed – this is why I started up the other blog: hongkongandmacaufilmstuff.blogspot.com – it’s a great way to see parts of HK that may have no other place or record other than being inadvertently caught on film.
I must admit that even at the height of the industry (80′s?) there was also a lot of crap being produced – largely Triad funded stuff made for a quick buck but lacking quality – one of the upsides of the decline in the local film industry is that the quality seems to have improved significantly.
One of the things I miss is the fact that film makers could film period pieces out in the open without fear of including modern day structures. Sai Kung was great for this – these days though it’s hard to get an unobstructed view and I guess is one of the reasons why everyone heads to the Mainland now. I enjoy contemporary location stuff as well of course but I love seeing the mountains and sea in the old Shaws stuff (and similar)
June 23, 2012 at 11:29 pm
Hi once more Phil –
It wasn’t just that decades back, there were few modern structures. Heck, there are still a lot of places in Hong Kong where few, if any, (modern) structures can be seen for miles.
Rather, remember that the Shaw Brothers, etc. stuff was not filmed with sound. Apparently, that’s the major factor in a lot of changes in choices of locale as well as techniques for filming (particularly action shots).
June 22, 2012 at 11:36 pm
Hi Phil –
Thanks for writing this entry but I have to admit that reading it makes me sad. To think that the Hong Kong government, instead of giving support to one of those Hong Kong film companies that helped Hong Kong make a mark in the world, actually caused its studio to cease to exist… almost beggars belief.
June 23, 2012 at 12:19 am
Hi Yvonne. It’s a bit sad isn’t it – even worse is the fact that Kingsford terrace was one of those developments affected when the HOS scheme was abandoned by Tung Chee Hwa, so the blocks sat empty between 2003 and 2007 gathering dust. Just one of the many screw-ups by the HK Govt.
Even sadder was how much movie related stuff was simply dumped and left to rot when the studio moved out. Of course I think the GH film archive was sold to Media Asia (?) but other stuff such as costumes, scripts, film equipment and the like was left to rot or be stolen by thieves. To me that is more shocking than anything else.